We needed to find someone who sounded exactly like Neil Burnie; step forward Alistair McGowan.
Series producer Andrew Smith explains how Alistair McGowan helped solve a major production problem.
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We decided after we’d captured the action Neil could dub in his dialogue from the swimming pool back at brightside (our production office). We rigged up the recording equipment, Neil would jump in the pool and re-record what he had said earlier, then we’d sync it up in post. It was a safer and far more practical way to work. After Neil’s death several key sequences still required his voice. These sequences were vital. There was no other work around, if no one could be found the episodes would have to be abandoned.
We began the search. Not only did we have to find someone who could impersonate Neil flawlessly, they would have to be comfortable recording underwater in full face dive mask. We put together several clips of Neil and emailed them to a number of agents. After listening to a host of auditions we finally received one that sounded exactly like Neil. The first time I played the clip I knew we had the guy! When I looked down the email to see who it was I couldn’t believe it, it was Alistair McGowan.
Recording underwater with Alistair McGowan
If you’re familiar with UK TV you’ll know Alistair McGowan. His show The Big Impression was on BBC 1 from 2000-2005. It was a ratings killer and made Alistair McGowan a household name and the UK’s number one impressionist.
Alistair also has several drama credits to his name. In 2005 he starred alongside Gillian Anderson, Carey Mulligan, Anna Maxwell-Martin and Charles Dance in the BBC’s adaptation of Charles Dickens Bleak House.
In the pool with Alistair McGowan
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Once we’d finished recording, Alistair was kind enough to stick around to review his work. Even he was impressed with the likeness to Neil! Without Alistair McGowan’s talent it’s likely that 3 of the episodes would have never been finished. His courage to undertake such a difficult role ensured the episodes could be completed. Such was the quality of his work, Dan and I have vowed never to tell anyone exactly what sequences he did. We’ll leave it up to you, we’re confident you won’t be able to tell.
